Press century revealed the departure of Mohammed Hassanein Heikal, among other revelations, the seriousness of the absence of Egypt from the Arab role , which has historically been beyond the politics, regulations and political parties, to the Arab public life, cultural, academic and artistic, and between the press titles. Cairo was, before and after the policy, the capital of the Arabs with meaning and connotations all ... and it was, therefore, the pioneering role. Even in the days of Egypt's monarchy, Cairo was the most dangerous sources or sources of culture. The Arabs and their university library: the vanguard intellectuals of them, or where, whatever their views «Left, Right, Arabism, regional, Pharaonic, KJPot, a Hashemite, a Wahhabi» etc. So it was extended leadership and leadership role, an Arab, a project in which a not discussed at the Arab level, including systems that swore Gamal Abdel Nasser of hostility, fear of extended repercussions of the revolutionary movement in the country which controls the suppression of underdevelopment, both the name of religion or tribe, the strongest or the most number, or based on the support of the forces of colonialism, which was and still is dominated by or affect most Arab countries the situation, in the East as in Morocco. The Egyptian Book of the Arabs, for the most part. The Egyptian Arab cinema, Egyptian and Arabic music, albeit with Iraqi breakthroughs, Syria and Lebanon. Even months singers the Arab world had reached the general public in between the ocean and the bay through Cairo many Bamaatha visual and its screen, which was among the first Arab, the most widespread and influential sure. Thus, the Arab song and with it traditional or modern music was up to the listener Arab radio stations across Cairo then across its screen visible.